Appearance vs. Reality in Twelfth Night Essay

report card of Appearance vs Reality is pervasive end-to-end the toy and its various facets are manifested finished various thematic expressions. At the truly start of the play, the most subtle thought of Appreance vs Reality is presented in the form of Orsinos conviction of love for Olivia. He becomes a victim to fictitious idealism as he has not seen Olivia and does not fool a glance in triple months (the course of the play).Shakespeare depicts Orsino as a bathetic lover who suffers from the sweet pangs (II.4.16) of love and ictus that have no touchable existence. alternatively of mending the reality of his passion and to get d feature a remedy, he again goes for a solution that is deceptive. In the first ii scene of the first Act, he yearns for harmony to cure his sentimentality. Undoubtedly Orsino has reverted himself into the realm of illusive world by the caprices of his imagination.Shakespeare has juxtaposed the Dukes unadulterated distress for Cesarios infant with Orsinos fictitious idealism. He implies that bottom all the fake sentimentalities of affectation in that location is a original individual who has genuine concerns. But revelation of another fraudulence i.e. unearthing that Cesario is a woman, helps him to cast away his own belief in appearance and he acknowledges the speciousness of his apparent made-up fantasy for Olivia.Orsino does not fell a pit to appearance (instead of reality) due to any inwrought flaw in his personality or his psychological complexities but it is a allow for of his lack of suffiecient experience in the real world especially in the romanticist affairs. Same is the case with Olivia whi looks for apprence instead of locating the reality o his passions for Orsino.But Shakespeare juxtaposes them with trusted other minor characters like Molvolio who do not acknowledge the reality and never cast away their belief in appearance till the end of the play whereas Orsine and Olivia learns that appearance is always deceptive and becomes realist at the end of the play..